Posts Tagged ‘Tattoos’

TOP 40 BEST TATTOOS HD ? Apocalyptica – Nothing Else Matters

-Home: www.TattooIdeas.CO *NEW* Top 20 Best Tattoos www.tattooideas.co *NEW* Top 20 Best Tattoo Artists: www.tattooideas.co Compilation of the Best Tattoos in the World with a Beautiful Story in its totality, named “Tattoo Story”. THUMBS UP if You LOVE the Tattoos, and please…
Video Rating: 4 / 5

Yeah I’m gettin tatted & filming it!! Tattoo by one of the best tattoo artist ever, Melvin Todd @ City of Ink Atlanta Georgia. 323 Walker St

Spiritual Skin – Sacred Tattoos: More Than Skin Deep

Spiritual Skin – Sacred Tattoos: More Than Skin Deep
The Most Important, Modern, Must-read Tattoo Guide Ever That Answers All Questions About Body Art, Integrates Spirituality Into The Tattoo Process, And Positively Transforms Lives. A Revealing Rarity, Receiving Rave Reviews. No Competition. Free Bonus!
Spiritual Skin – Sacred Tattoos: More Than Skin Deep

Temporary Tattoo Kit: Make Your Own Temporary Tattoos 3 Sheets

Temporary Tattoo Kit: Make Your Own Temporary Tattoos 3 Sheets

  • Our Tattoo Paper is designed to create your own custom temporary removable skin tattoos.
  • This removable tattoo paper is for inkjet printers, these tattoos are easy and fun to use and the creative possibilities are endless!
  • 3 Sheets 8.5″ x 11″
  • New Technology 100% Compatible with Inkjet

Our Tattoo Paper is designed to create your own personal temporary removable skin tattoos. This removable tattoo paper can be used easily with your Printer or Quickutz Silhouette. Skin tattoos / Temporary tattoos / Removable tattoos can now be made with your own custom design, artwork, or logo in a very short time. This removable tattoo paper for is easy & fun to use and the creative possibilities are endless!

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Price: $ 7.90

Accessory Temporary Tattoo - Make your own bracelet
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Accessory Temporary Tattoo #2- Make your own bracelet
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Nice Tattoos Supplies photos

Some cool tattoos supplies images:

Triple City Tatoo Supplies
tattoos supplies
Image by “The Supreme Architect”
TRIPLE CITY TATTOO SUPPLY IS NOW OPEN & SERVING ALL COUNTIES IN THE SOUTH FLA AREA. WE CARRY ALL THE SUPPLIES YOU NEED & HAVE A "SAME DAY DELIVERY SERVICE" AVAILABLE FOR ALL CLIENTS. FOR ORDERS CALL 954.770.9695, GO ONLINE @ WWW.TRIPLECITYTATTOOSUPPLY.COM OR VISIT OUR STORE-FRONT LOCATION @ THE MIDTOWN SMOKESHOP 3503 NE 2nd AVENUE MIAMI, FL
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100 views of Cuba, Dec 2011 – 49
tattoos supplies
Image by Ed Yourdon
This set consists of what I felt were the best 100 photos of the 3500+ images that I took in Cuba during a weeklong visit in December 2011.

I took this photo at the entrance of a church that we ducked into during a gentle rainstorm one morning…

Note: this photo was published in an undated (mid-March 2012) Nice Tattooing Supplies Photos blog, with the same caption and detailed notes I had written on this Flickr page. It was also published in a Mar 20, 2012 blog titled "CSULB Students, and Faculty Members Set To Take Historic Visit to Cuba."

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Cuba. For today’s generation of Americans, the notion of traveling to Cuba is probably like that of traveling to North Korea. It’s off-limits, forbidden by the government — and frankly, why would anyone bother? But for someone like me, who spent his childhood in the Cold War era of the 1950s, and who went off to college just after Castro took power, and just before the Bay of Pigs and the Cuban missile crisis, the notion of traveling to Cuba has entirely different overtones.

And yet Cuba is only 90 miles away from Key West (as we were reminded so often in the 1960s), and its climate is presumably no different than a dozen of Caribbean islands I’ve visited over the years. Numerous friends have made quasi-legal trips to Cuba over the years, flying in from Canada or Mexico, and they’ve all returned with fabulous pictures and great stories of a vibrant, colorful country. So, when the folks at the Santa Fe Photographic Workshops sent out a notice in November 2011, announcing a series of photo workshops in Havana, we couldn’t resist the temptation to sign up.

Getting into Cuba turned out to be trivial: an overnight stay in Miami, a 45-minute chartered flight operated by American Airlines, and customs/immigration formalities that turned out to be cursory or non-existent. By mid-afternoon, our group was checked into the Parque Central Hotel in downtown Havana — where the rooms were spacious, the service was friendly, the food was reasonably tasty, the rum was delicious, and the Internet was … well, slow and expensive.

We had been warned that that some of our American conveniences — like credit cards — would not be available, and we were prepared for a fairly spartan week. But no matter how prepared we might have been intellectually, it takes a while to adjust to a land with no Skype, no Blackberry service, no iPhone service, no phone-based Twitter, Facebook, or Google+. I was perfectly happy that there were no Burger Kings, no Pizza Huts, no Wendys, no Starbuck’s, and MacDonalds. There was Coke (classic), but no Diet Coke (or Coke Light). There were also no police sirens, no ambulance sirens, and no church bells. There were no iPods, and consequently no evidence of people plugged into their music via the thin white earplugs that Apple supplies with their devices. No iPads, no Kindles, no Nooks, no … well, you get the picture. (It’s also worth noting that, with U.S. tourists now beginning to enter the country in larger numbers, Cuba seems to be on the cusp of a "modern" invasion; if I come back here in a couple years, I full expect to see Kentucky Fried Chicken outlets on every corner.)

But there were lots of friendly people in Havana, crowding the streets, peering out of windows and doorways, laughing and shouting and waving at friends and strangers alike. Everyone was well-dressed in clean clothes (the evidence of which could be seen in the endless lines of clothing hanging from laundry lines strung from wall to wall, everywhere); but there were no designer jeans, no fancy shoes, no heavy jewelry, and no sign of ostentatious clothing of any kind. Like some other developing countries, the people were sometimes a little too friendly — constantly offering a taxi ride, a pedicab ride, a small exchange of the "official" currency (convertible pesos, or "cuqs") for the "local" currency (pesos), a great meal or a great drink at a nearby restaurant or bar, a haircut, a manicure, or just a little … umm, well, friendship (offers for which ran the gamut of "señor" to "amigo" to "my friend"). On the street, you often felt you were in the land of the hustle; but if you smiled, shook your head, and politely said, "no," people generally smiled and back off.

As for the photography: well, I was in one of three different workshop groups, each of which had roughly a dozen participants. The three dozen individual photographers were well equipped with all of the latest Nikon and Canon gear, and they generally focused on a handful of subjects: buildings and architecture, ballet practice sessions, cockfights, boxing matches, rodeos, fishing villages, old cars, interiors of people’s homes, street scenes, and people. Lots of people. As in every other part of the world I’ve visited, the people were the most interesting. We saw young and old, men and women, boisterous children, grizzled elders, police officers, bus drivers, and people of almost every conceivable race.

The streets were clean, though not spotless; and the streets were jammed, with bicycles and motorbikes and pedi-cabs, taxis, buses, horse-and-carriages, pedestrians, dogs (LOTS of dogs, many sleeping peacefully in the middle of a sidewalk), and even a few people on roller skates. And, as anyone who has seen photos of Havana knows, there were lots and lots and LOTS of old cars. Plymouths, Pontiacs, Dodges, Buicks, and Chevys, along with the occasional Cadillac. A few were old and rusted, but most had been renovated, repaired, and repainted — often in garishly bright colors from every spectrum of the rainbow. Cherry pink, fire-engine red, Sunkist orange, lime green, turquoise and every shade of blue, orange, brown, and a lot more that I’ve probably forgotten. All of us in the photo workshop succumbed to the temptation to photograph the cars when we first arrived … but they were everywhere, every day, wherever we went, and eventually we all suffered from sensory overload. (For what it’s worth, one of our workshop colleagues had visited Cuba eight years ago, and told us that at the time, there were only old cars in sight; now roughly half of the cars are more-or-less modern Kia’s Audis, Russian Ladas, and other "generic" compact cars.)

The one thing I wasn’t prepared for in Havana was the sense of decay: almost no modern buildings, no skyscrapers, and very little evidence of renovation. There were several monstrous, ugly, vintage-1950s buildings that oozed "Russia" from every pore. But the rest of the buildings date back to the 40s, the 30s, the 20s, or even the turn of the last century. Some were crumbling, some were just facades; some showed evidence of the kind of salt-water erosion that one sees near the ocean. But many simply looked old and decrepit, with peeling paint and broken stones, like the run-down buildings in whatever slum you’re familiar with in North America. One has a very strong sense of a city that was vibrant and beautiful all during the last half of the 19th century, and the first half of the 20th century — and then time stopped dead in its tracks.

Why that happened, and what’s being done about it, is something I didn’t have a chance to explore; there was a general reluctance to discuss politics in great detail. Some of Havana looks like the less-prosperous regions of other Caribbean towns; and some of it is presumably the direct and/or indirect result of a half-century of U.S. embargo. But some of it seems to be the result of the collapse of the Soviet Union in the early 1990s, and the subsequent collapse of foreign aid that Cuba depended upon.

As for my own photos: I did not attend the ballet practice sessions, nor did I see the rodeo. I did see some interesting graffiti on a few walls, which I photographed; but for some reason, I missed almost all of the numerous political billboards and stylized paintings of Che Guevera on buildings and walls. What I focused on instead was the "street scenes" of people and buildings, which will hopefully give you a sense of what the place is like.

Enjoy!

Political Campaigns Build Election Buzz with Temporary Tattoos

Political Campaigns Build Election Buzz with Temporary Tattoos











Tucson, AZ (PRWEB) February 29, 2012

This campaign season, politicians and their teams are looking for ways to build buzz, spread support for candidates, and get out the vote in advance of fall elections. Custom temporary tattoos are a popular update to traditional campaign buttons and stickers. Temporary tattoos can be customized with any logo, slogan, or image, and last on the skin for three to five days.

No matter the level (local, state, or national), temporary tattoos are an affordable campaign tool. Political campaigns can create excitement at events like rallies, debates, and town halls by giving out temporary tattoos to all supporters who attend. Create a tattoo station with small water bottles or sponges to encourage supporters to apply the tattoos and show support for the candidate at the event.

Temporary tattoos are also the perfect giveaway to include in thank you letters to political donors. Tattoos are lightweight and small enough to fit in mailing envelopes as a fun and thoughtful surprise. At polling stations, civic groups can hand out “I Voted” temporary tattoos as an alternative to the standard stickers.

Many political candidates have used temporary tattoos as an effective promotional tool. Peruvian President Ollanta Humala utilized custom temporary tattoos during his successful 2011 presidential bid. More than 4 million tattoos were produced for the campaign – a temporary tattoo for one in seven Peruvians!

Create your own custom temporary tattoos at Tattoo Manufacturing.

About TM International

TM International (TMI Acquisition LLC) is the largest manufacturer of temporary tattoos in the world. The company designs and manufactures all of its products in Tucson, AZ and serves many markets. The company’s products are sold under the SAVVi, Tattoo Manufacturing and Vending Supply brand names. Products are non-toxic, hypoallergenic, use FDA certified colorants and comply with CSPC and ASTM requirements. All products exceed US, Canadian and EU safety standards. The company’s products have a worldwide reputation for quality. Visit http://www.tattoosales.com or call 1-800-747-8016 for more information.

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